
I know I am behind, but am doing my best to keep up. Hopefully will catch up in a couple of days.
Am hanging out on Ang's parent's back deck, having some drizzinks with my best gals, Sarah and Ang... funny story from this night equals that we are partying at Ang's parents' place when they are away. It's so high school, it's amazing. I tried my hand at writing whilst 4 children did their best to distract me, so I eventually had to give up, but here is a sample of what I have come up with.
I am feeling like I am getting a handle on who these characters are, and starting to care about this story. It is really hard to write horror, honestly, it's hard to make it funny. Maybe around the middle of the story things will go off the rails.
One final thought- Ludacris is f*cking awesome. And, Snoop Dogg brings credibility to every project he is involved in. That is a bold statement, but I will stand behind it any day of the week and twice on Sunday.
Sean Sleeps
Just outside of Beechwood, there is a cemetery called High Gate. High Gate is the name emblazoned in iron over the entrance, but residents of Beechwood and its many surrounding bergs have always called it the City of the Dead. The beautiful, green grass is carefully and lovingly groomed in this graveyard, this resting place for those who have passed beyond the reach of their loved ones. There is a plot there, with a polished black headstone. It has been lovingly tended to. Resting in front of the headstone is a potted plant of red geraniums. They look beautiful against the smooth, shiny, black granite and the vibrant green of the manicured lawn. You could visit this particular grave at any time of the year, and you would find fresh, seasonal flowers. You will never find any wilted, dying flowers. Not ever. Not here.
Someone loves the person buried here very much, or perhaps someone wants to make sure that this person does not feel neglected. Perhaps it is intended to ease a guilty conscience. Perhaps someone wants to make sure that this person is truly dead, and visits regularly to ease a nagging anxiety that this person is not entirely gone from this world. Maybe it is a combination of these things. If we can have conflicted feelings about the living, surely we can be equally conflicted in our feelings for the dead.
In the top left corner of the black headstone is engraved a moon peering from behind clouds, with trees in the foreground. In the top left is a simple, elegant music note. The name and dates are proclaimed in simple block letters: “Sean David O’Connor, 1980-2005”. The epithet is unusual, but in keeping with the imagery. “Still racing with the moon”.
Though the day is a beautiful, sunny, summer day, the sun’s rays never warm this plot. It is surrounded by a chill that keeps most people away. And though the sun shines on it, it appears to be perpetually in shadow. People walk around the plot, giving it a wide berth, without even being aware they are doing so. When people walk too close to Sean O’Connor’s grave, they might feel a chill race up their spine, making them shiver, or they might experience a wave of dizziness or nausea, or they might feel a wave of sadness, or anger. No one passes closeby without having some sort of reaction. It makes one wonder who cares for this gravesite so attentively, and at what cost to themselves?
Beneath the black granite stone, beneath the flowers, and the green lawn, under the rich soil, lies the body of Sean David O’Connor, whose soul does not sleep, is not resting, and is certainly not at peace.